paper disco are back on vinyl ahead of their forthcoming trash the wax vol. 2 and two totally exclusive tracks. leon sweet launches things with sunny bigler that has a moroder style bass and plaintive male vocal designed to make grown men cry on dance floors. italian master blaster shares the same side rocking his trademark edit chops with games whch will only be seeing the light of day on this wax. turn it over and yam who makes an appearance with natasha watts and paper tea boy chris massey on remix duties. its floor heavy 4/4 disco with modern production and dynamics that will slot in to any discerning box. the second exclusive comes from oslo young bucks de fantastiske to who offer up a more house take on disco. gimme sum dim sum has a shuffling backbeat, lush keys and chords to give it an organic garage feel that tips a wink to the best that new york has to offer.

hot on the heels of luke viberts halloween(part one), hypercolour present more acidic business from one of cornwalls finest bleeps exponent, backed with two very solid remixes from and faltydl.

the nose of clarity (one + two) is obscure and mystical techno with a hypnotism rhythm construct. part one is coming for the long nights in the clubs and bringing darkness dance moves. part two is more deeper and darker with a slowly trippy and layered loop sound. on the flip side the obsession (from don«t«be on acid ) dwntmpos rework is downtempo sound in perfection. the rhythm is going straight in the head and bring the deepness with a slowly pitched vocal in front of all understanding. the second rework is more dub influenced with warm chords, delays and echos from a other galaxy. the vinyl is hand stamped and numbered and comes with a a4 graphic art print. mastering by xergio c—rdoba at eternal midnight mastering studio madrid, spain

following 2013s fantastical heat crime, tim further explores his unique take on house music with two original tracks which make stylistic nods to the past but lead us elatedly to a place of uncommon and personal vision. on the a side we have squiggles, a late night piece of tentacled whimsy. a joyful frolic in a fishy stream under the stars and in the japanese garden of your soul.

in recent times, phantasy have provided the soundtrack for many adrenaline fuelled nights and hazy mornings with critically acclaimed albums from daniel avery (drone logic) and connan mockasin (forever dolphin love & caramel). their latest discovery ghost culture emerges from the shadows to make the space between those two worlds his own. since announcing his arrival one year ago with a debut single mouth, the london based artist has built up a feverish following with a further pair of ear catching singles. this trio of sell-out releases, each pressed on invisible vinyl, offered a glimpse of a rare talent whose music was just as at home in the club as it was in ones bedroom. now phantasy, are proud to present his self titled debut album, a collection of ten tracks rich in emotion, musicality and sonic artistry.

next up on the clone crown series and hailing from the post-industrial city of nancy, france, is bad boy and multi-instrumentalist funkateer gary gritness aka slikk tim, bringing us the adventures of gary gritness chapter 1. spread over two separate 12inches, gary delivers a cyberfunk joyride with 9 shit hot instrumental electro funk tracks with a cinematical feel, blending nowadays influences from the streets of detroit, oakland and atlanta around his trademark soulful sound.

baldo and asok are two artists who certainly know how to keep themselves busy. two big underground names who found time to sit side by side with the next ep from good ratio music. release dedicated to the 1978s bbc radio 4 series the hitchhikers guide to the galaxy.

another killer, rare disco offering from deep within the legendary west end records vaults. released in 1976 and mixed by the mighty tom moulton, this split 12inch is one of the labels earliest releases and features two sumptuous, epic cuts from the initial wave of disco 12inches.

following the appetizer of the two 12 inch singles *trinidad (disco mix)* em1128tep and *j ouvert* em1129tep, we now serve up the main dish, the fine 1977 album steel funk by john gibbs and the unlimited sound of steel orchestra, a new addition to our em steel pan series.

especial take a side-step, welcoming up and coming producer wolf muller to the label with his remixes of indie-pop dreamer mariam the believer. two striking percussive, led reworks of her single invisible giving appear exclusively on vinyl.

j£zus million or joseph zucco. his sterling productions have also drawn praise from the likes of pitchfork, noisey and dazed, who called his music r&b scattered with pockets of light, while fact have drawn favorable comparisons to rustie and two inch punch.

the come up ep is the third release on seth troxler and the martinez brothers hot as hell tuskegee imprint. a showcase four tracker of three burgeoning tuskegee artists with some heavyweight jams perfect for the come up! the a side features londons ibellini on a bumping house-strormer thats right, hooky as hell and twice as funky. next up is martinez brother homeboy jesse calosso with two hot licks of ruff ass tech-n-groove. the a side features serving size a jackin off kilter groove workout for the heads. on the flip and jesse lays down the law with whatever right now, serious business for serious floor. finally new yorks finest filsonik delivers royce five another great underground cut perfect for those darker moments, heads down for a full house! a killer four tracker that is destined to cause dance-floor madness this holiday season!

with >the lost remixes pt. 2< deep vibes recordings continues to contribute to the love for vinyl: three fine remixes, two previously released digitally through major house labels, are now available on black gold for the first time. sascha dives trippy remix of silicon soul and the pumping muscle-house remix of roland clark & urban soul are already worth every penny.

the one and only radio slave is back on rb. this time with retro futuristic breakbeat-house and -techno. children of the e comes in two mixes for different moods and some locked grooves for double copy wizardry. inspired by the london warehouses of yesterday, fuelled by evian bottles and made in a fog horn frenzy. or as the man himself puts it: matt edwards goes back to his roots with children of the e: just another white kid from catford. ultimately, were all children of the e(arth)!

fresh deephouse three-tracker from arnaldo on aim.

• guy brewer returns to his avian label with a a two-part ep, arrangements in monochrome
• comes with a title specific printed inner and outer sleeve
• big support from the usual avian fans...

roots for bloom label boss jamie trench kicks off the label offshoot rfbcolours with a collaboration ep alongside rebel. the a side tracks come from jamie himself. -good love- has a stripped back garage feel with a jacking and filtered vocal carrying it, then stapled brings things across with a more techno feel with strong stabs and background drifting chords. the b side is where we see rebel s input, with the rolling and infectious in the end . the groove is again stripped back and simple but it s this that carries the vocal that demands your attention. the two then pair up for we don t fly first class and it s apparent to hear in the track where the two come together well. this one is driven by a huge sub bass line and simple stabs and talking and seductive vocal lines.

returning to cadenza records after two previous singles (the motorglider ep and precursors ep), eduardo de la calle drops the methodical machines ep this december on lucianos imprint. across two pieces of vinyl, and five tracks, eduardo flexes his unique sound design of minimal and soulful grooves.

two killer cuts from mumdance plus 20 (!) locked grooves on the flip.

the rattler proxy, a sonic duo from athens, greece, release their debut single featuring two original songs mcreadys blues and mr. sham - along with a remix of the latter by timothy j. fairplay, one half of the asphodells.

the rattler proxy, a sonic duo from athens, greece, release their second single featuring two original songs - company of wolves and death machine - along with two remixes of the latter by antoni maiovvi and jokers of the scene.

pretty cool edits of two monster hits. dancefloor anthems for crowds worldwide.

two decades ep sees london producer missing join the fold for the fourth installment of five folds mandate: releasing quality dance music free from genre and tempo constraints. hailing from the heady days of the uk jungle scene circa 94, followed by a host of releases as one half of the breaks duo c83 throughout the noughties, missing re-emerges on the scene with four dancefloor fillers spanning uk bass house, garage/ jungle grooves and vocal deep house.

kool vibes music today reflects the best of the 90s house music sounds that he manages to capture so well. after releasing on my love is underground & traxx underground in 2011 and 2012, the french producer launched his very own label kv records in 2013. here he comes back with a new solo project on his own label : the black & white project (pt.1 & pt.2) both records will be sold separately after an interval of one month. these two eps invite you to a musical journey through 8 tracks which definitely prove mr. vibes unconditional love for house music. every track is a dedication to the essential vibes of the 90s and a joyful reminder of those original days when house music was in the making.

the italian duo -the analogue cops- under their aliases ocp and voiski joins the family of the monkey bar. here with two very special tracks and in the first vinyl of a tribute series called moog series in honor to the legendary club from barcelona.

world looking for a new home for your mind? welcome to the soul estate! two guys from the southwest of germany built up their own musical experimental ground. the product of their research is the stellar debut ep welcome.

gavin russom returns to ecstatic recordings sister label entropy trax for the fledgling labels second release. building on the brooding atmosphere of the purge / enthroned with a pair of throbbing, synth-powered & acid-infused cuts, the telemetry/the benificent, the merciful 12inch draws together sonic touchstones found in russoms many projects, black metoric star, the crystal ark, and his work with delia gonzalez, melding them into two singular productions that pump and drive like the sequenced machines that power them.

two re-worked tracks from their previous collaboration in 2013 that needed to get released. in 2013 these two friends spent quite sometime in the studio together which cumulated in a three-track release on butanes own imprint alphahouse. during the progression and fine tuning of these three tracks two of them, at one point, got a different interpretation. here they are.

forty-two months can be a lifetime in the rapidly changing world of dance music, but the 3 1/2 years since maya jane coles previous mobilee release, 2011s beat faster, has seen the uk dj/producer accumulate unprecedented accolades from all corners of the dance music sphere, from magazine covers and reader poll placement to premier league bookings and regular play by her esteemed house music peers having seamlessly transitioned from buzz-heavy newcomer to perennial favorite, maya returns to mobilee with three tracks in her unmistakable style, one that has only become more potent with practice on releases by dogmatik, hypercolour, jackathon jams, 20:20 vision and her own i/am/me label.

a new release by a new artist pitched black on a new label something in the water, a new division of manchester label rainy city music. a two track 12 inch that sits somewhere between deep house & techno.

this limited picture disc sees four classic cuts from this chicago legend getting the remix treatment from house cats luke bowditch, raoul bellman s (swirl people), steve ward, 1200 warriors, giano & go gobizit bringing these legendary cuts bang up to date, essential for any chicago house vinyl lovers collection. the 12inch also comes with two label stickers allowing you to add them to the centre if you do so choose

standard black vinyl - repress 2014
glorious and epic two tracker vinyl for bosconi records, this time by our favourite detroit techno duo the oliverwho factory. we used to be big fans of their madd chaise works and latest rush hour and planet e were awesome, but that percussive sound was different from what we knew from their past. we wanted them to give another chance to their more jacked out musical side in memory of the two masterpieces (and bosconi soundsytem favourite waxes) those were >the rhythm< and >the rain 5th wave<, and so we proudly got another timeless, soulfull, spacey and futuristic techno anthem called >take me away< darryl with his magic hands has created an ultra effective combination of energetic and groovy pumpin kick with a tight funky bassline substaining an upbuilding layers of dreamy synths and stormy noises while the voice of lashone gives that unique colour and atmosphere to the track that all the oliverwho fans love, dictating their original trademark sound. on the flip, takin inspiration from tama sumo panorama bar mix samplin the ow, we got an upbeat version of their slowmotion gem called >together<, that this time, thanks to altered states re touch of darryl and shone has become a proper and fat techno arena bomb, now just for the pleasure of absolutely everybody. you wont miss it, for sure

two epic 15 minute tracks of blissed out kosmische techno

bristols finest independent hip hop label brings you *the four corners* lp from the journeyman!

cuttin headz, the label formed by chris and steve martinez, will offer a diverse range of sounds, from fresh, stripped-down techno tools to one of their first loves, hip-hop. the first limited-edition ep drops with a hand-screenprinted cover featuring original artwork by the martinez brothers.

reel houze are/were dominic dawson and rob mello, and these two tracks were originally released in 1996.

vinyl only
lorentz back in action for little hill! with a long side (14.58) where there are two original tracks, madicosa and choose in it, lorentz show us his gentle sounds, with homesick tracks. if you flip records you can find two great works made by mattia trani, label-head of pushmaster discs, with his 909 remix and damien schneider, apologue recordings, with more effective techno remix.

portland producer strategy is back with two unique house cuts. his wide range unique music is released from 100% silk, kranky and endless flight. a side, >luna< is very unique sound which is difficult to categorise. but if we say, it is like detroit techno remix of synth pop ... b side, >the saga< is his trade mark dubby house sound but bit more gorgeous and uplifting.

the maghreban. i saw this name for the first time when ayman sent me afric, out on his own label zoot. i really got into this raw, percussion heavy stuff. asked him some new track for versatile and here is the result: smack, with his rave vs chicago vibe, and two deeper jams. more to come!

kool vibe s music today reflects the best of the 90s house music sounds that he manages to capture so well. after releasing on my love is underground & traxx underground in 2011 and 2012, the french producer launched his very own label kv records in 2013. here he comes back with a new solo project on his own label : the black & white project (pt.1 & pt.2) both records will be sold separately. these two eps invite you to a musical journey through 8 tracks which definitely prove mr. vibe s unconditional love for house music. every track is a dedication to the essential vibes of the 90s and a joyful reminder of those original days when house music was in the making.

new 4 track ep from moscow based analogue genius chizh (previous releases on anton zaps ethereal sound and plus seven records). 4 track ep of acid flavored house tracks of varying tempo, but always melodic. two originals plus two incredible beauty remixes from the mole (perlon, internasjonal, ostgut ton, philpot, slices of life) and anton zap (underground quality, quintessentials, apollo/r&s). mastered by kuniyuki takahashi.

stefan kozalla aka dj koze aka adolf noise granted us with two outstanding tracks for his debut on philpot!! > limited 2014 re-issue

two deep jams with a dashing black & white mystique around them. check the b-side: late night club appeal! what it felt like to be so wanted, so adored. no one had ever felt like that about me. it was all so dramatic. always in the wee small hours when it seemed to me that the world was ours - that we were the world.

ever elusive duo flight facilities dropped a bombshell on unsuspecting, devoted fans, announcing the wholly unanticipated - and yet incredibly welcomed - debut album, >down to earth<. the production pair, best known for their string of popular club singles have done the unexpected, announcing a cracking new set of tunes to compliment their already impressive back catalogue, along with a headline world tour that will see the guys conquer their biggest headline shows to date, via the likes of the enmore (syd), the forum (melb), webster hall (nyc) and the regent in la.

the debut from young mancunians atsuko and stompbox - dark, grimey, urban bass melancholia pressed on 180 gram vinyl.

after a two year gap clio is back on metroline limited after producing two of the most successful releases from the labels extensive catalogue: for sure baby (2010) and do it ep (2012). in the opening track, the beautiful forces, blade runner soundscapes morph into post-rave stabs and combine with heavy subs and sci-fi effects to create the soundtrack to a rave in an abandoned space station.

here comes a new project on philpot records, bringing together two of the most consistent german producers of the last decade: soulphiction and move d are pairing up to bring you some deeply rooted, funkafied house music on this one! >the limelight< is a subtle, shiny piece of neo-disco for the believers, rolling along with funky licks and a demanding bass, a sureshot for the music lovers! manchesters trus me takes it up and delivers a fantastic remix, adding his trademark sonics as well as a new bassline, played by tom >boom boom< johnstone. the third track >the essence< is a nod toward a great jazz label and a blueprint for further things to come by soulphiction & move d! shake it!

the edit select imprint continues its tribute to testes seminal the wipe with this first part of a series of remixes 12inches. first to the plate is none than rrose (sandwell district/eaux) and dino sabatini(prologue/outis) for two distinct takes on this classic track.

these days house music is often about a 4/4 beat and a catchy groove. the idea is to do something simple to which you can get your groove and, and not so much about listening. the borders of electronic dance music makes room for the hypnotic beats, the driving grooves, but not always the melodic universes. leman & dieckmann have been making music for several years, both together and apart, but almost all of their music was driven mainly by the beat. but both having an urge to discover the dynamics of melodic synths and melodic percussion they decided to make an album. they agreed that the album had to tell a story, and like so many times before in music the topic became love. the story they try to tell through the music on the album *takes two* is the story of a breakup, the denial of the need of love, and the discover of the fact that often in life it takes two, to be happy.